Art Deco Figurative Prints
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Style: Art Deco
Letter "Y" from the Alphabet Suite
Located in Saugatuck, MI
Erte hand signed and numbered limited edition lithograph and screen print. From the Alphabet Suite. Framed dimensions are 26" W x 31" T. Near Mint condi...
Category
1970s Art Deco Figurative Prints
Materials
Screen, Lithograph
Untitled (Profile of an African Woman)
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
Category
1920s Art Deco Figurative Prints
Materials
Lithograph
Portrait of an African Woman — 1920s Modernism
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...
Category
1920s Art Deco Figurative Prints
Materials
Lithograph
PARIS RAGE Signed Lithograph, Three Women, Color Berets, Neckties, Eiffel Tower
By Robin Morris
Located in Union City, NJ
PARIS RAGE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. PARIS RAGE depicts a colorful, fun portrait of three young women in Paris...
Category
1980s Art Deco Figurative Prints
Materials
Lithograph
Enigma II, Figurative Artwork, Art Deco Art, Large Statement Print
Located in Deddington, GB
Enigma II’ (Edition 6/7)is a figurative hand painted screen-print with charcoal and metallic powders on Somerset Satin Print making Paper. Each print is unique.
Discover new artworks...
Category
2010s Art Deco Figurative Prints
Materials
Metal
Au Lido - Pochoir by G. Barbier - 1920
Located in Roma, IT
This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...
Category
1920s Art Deco Figurative Prints
Materials
Stencil
L'apres-midi d'un Faune - Pochoir by G. Barbier - 1920
Located in Roma, IT
This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, who...
Category
1920s Art Deco Figurative Prints
Materials
Stencil
Grand-mere et Petite-fille - Pochoir by G. Barbier - 1920
Located in Roma, IT
This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...
Category
1920s Art Deco Figurative Prints
Materials
Stencil
Ettore Tito (1859-1941) - On a Souvent Besoin.... Art Deco Pochoir Print
By Ettore Tito
Located in Aberdeen Dyce, GB
Art Deco original pochoir print.
Please find the dimensions of the artwork:
20 x 15 cm - Dimensions of the image
26 x 20 cm - Dimensions of the paper
28 x 22,5 cm - Framed dimensi...
Category
Early 20th Century Art Deco Figurative Prints
Materials
Paper
Original Bouliste XVII Campionnat de France vintage 'bocce' poster
Located in Spokane, WA
Original Bouliste, XVII Championship of France in 1943 in Clermont-Ferrand. Linen backed lithographic in very good condition, ready to frame. This poster has no restoration nor d...
Category
1940s Art Deco Figurative Prints
Materials
Lithograph
ETERNAL EMBRACE
By Erté
Located in Aventura, FL
Lassengraph on canvas. Hand signed and numbered on front by Christian Lassen. From the edition of 350. Canvas size 24 x 36 inches. Frame size approx 34.5 x 46.5 inches.
Artwork i...
Category
1980s Art Deco Figurative Prints
Materials
Canvas
BEYOND HANA'S GATE
By Erté
Located in Aventura, FL
Lassengraph on canvas. Hand signed and numbered on front by Christian Lassen. From the edition of 350. Canvas size 24 x 36 inches. Frame size approx 34.5 x 46.5 inches.
Artwork i...
Category
1980s Art Deco Figurative Prints
Materials
Canvas
MANHATTAN MARY II
By Erté
Located in Aventura, FL
Serigraph in colors on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 23.25 x 16.5 inches. Framed size approx 29 x 23 inches.
Artwork is...
Category
1980s Art Deco Figurative Prints
Materials
Paper, Screen
THE SLAVE
By Erté
Located in Aventura, FL
Embossed serigraph in colors with foil stamping on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 34.5 x 26.5 inches. Framed size approx 4...
Category
1970s Art Deco Figurative Prints
Materials
Paper, Screen
Tempest, Erté, Original Lithograph (Signed)
By Erté
Located in New York, NY
“Tempest” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff).
Image size (with signature): 24 x 19 in.
Framed size: 31 x 25 in.
Edition 184/300.
The artwork is framed.
Signed by the artist on the bottom right corner.
It is in excellent condition.
Known as the “Father of Art Deco,” he created elegant decorative images that are timeless in their beauty and sophistication. Clean lines of his glamorous and evocative works resemble the geometry of Classical Greek pottery and Japanese art of woodblock prints. Erté’s artworks...
Category
Late 20th Century Art Deco Figurative Prints
Materials
Lithograph
MARY GARDEN
By Erté
Located in Aventura, FL
Embossed serigraph in colors with foil stamping on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 41 x 36 inches. Framed size approx 46 x ...
Category
1980s Art Deco Figurative Prints
Materials
Paper, Screen
Zsa Zsa, Erté, Original Lithograph (Signed)
By Erté
Located in New York, NY
“Zsa Zsa” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff).
Image size (with signature): 2...
Category
Late 20th Century Art Deco Figurative Prints
Materials
Lithograph
Reflection, Erté, Original Lithograph (Signed)
By Erté
Located in New York, NY
“Reflection” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff).
Image size (including signature): 23 x 17 in.
Framed Size: 31 x 25 in.
Edition 239/300.
The artwork is framed.
Signed by the artist on the bottom right corner.
It is in excellent condition.
Known as the “Father of Art Deco,” he created elegant decorative images that are timeless in their beauty and sophistication. Clean lines of his glamorous and evocative works resemble the geometry of Classical Greek pottery and Japanese art of woodblock prints. Erté’s artworks...
Category
Late 20th Century Art Deco Figurative Prints
Materials
Lithograph
Twin Sisters, Signed Art Deco Screenprint by Erte
Located in Long Island City, NY
Twin Sisters
Erté, Russian (1892–1990)
Date: 1982
Screenprint, signed and numbered in pencil
Edition of 350, AP
Size: 36 x 48 in. (91.44 x 121.92 cm)
Category
1980s Art Deco Figurative Prints
Materials
Screen
Constant Gardener-Limited Edition#7-gallery collection-British Awarded Artist
Located in London, GB
This Edition is one of the Summer Bloom series Shizico Yi started in 2022.
Veronica and Hydrangea (in the painting) are the summer elements in her garden, Shizico cultivated these de...
Category
2010s Art Deco Figurative Prints
Materials
Metal
Top Hats
Located in Hollywood, FL
Artist: Erte
Title: Top Hats
Size: 16 x 12 Inches (26 x 22 Inches Framed)
Medium: 3D Bronze Wall Relief Sculpture
Edition: of 375
Year...
Category
1990s Art Deco Figurative Prints
Materials
Bronze
Onyx Coiffure
Located in Greenwich, CT
Onyx Coiffure is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 214/300 and est...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
CAMPESINO / MINISTERIO DE AGRICULTURA. 1936.
Located in New York, NY
JOSEP RENAU MONTORO (1907-1982) CAMPESINO / MINISTERIO DE AGRICULTURA. 1936.
60x41 3/4 inches, 152 1/2x104 cm. Graficas Valencia, Valencia.
Ref: Guerra Civil en 2000 Carteles. Vol I,...
Category
1930s Art Deco Figurative Prints
Materials
Lithograph
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Figurative Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Figurative Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Figurative Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Figurative Prints
Materials
Woodcut
The Sailboat - Original woodcut, Handsigned
Located in Paris, FR
Edward PELLENS
The Sailboat, 1922
Original woodcut
Handsigned in pencil
Numbered /154
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of t...
Category
1920s Art Deco Figurative Prints
Materials
Woodcut
Woman with Roses, Offset Lithograph by Louis Icart
By Louis Icart
Located in Long Island City, NY
Woman with Roses
Louis Icart, French (1888–1950)
Offset lithograph, signed in the plate
Size: 18 x 24 in. (45.72 x 60.96 cm)
Category
Mid-20th Century Art Deco Figurative Prints
Materials
Lithograph, Offset
Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
By Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart
Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
Category
1930s Art Deco Figurative Prints
Materials
Paper, Pencil, Aquatint
APHRODITE
By Erté
Located in Aventura, FL
Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches.
Artwork is in excellent condition.
Category
1980s Art Deco Figurative Prints
Materials
Paper, Offset
June
Located in Greenwich, CT
June is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 203/300 and estate-stamp...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
May
Located in Greenwich, CT
May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
Hat and Chain
Located in Greenwich, CT
Hat and Chain is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 14.25 x 11 inches. From the edition of 650, the art is numbered CCXXXIV/CCC ...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
April
Located in Greenwich, CT
April is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 296/300 and estate-stam...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
Onyx Sleeve
Located in Greenwich, CT
Onyx Sleeve is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered 184/300 and e...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
Chignon
Located in Greenwich, CT
Chignon is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered XXVI/CCC and esta...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
Rose Fan
Located in Greenwich, CT
Rose Fan is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 18.75 x 14.5 inches. From the edition of 650, the art is numbered CCXXVI/CCC and ...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
Victime de l'Art
Located in Greenwich, CT
Victime de l'Art is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 20 x 14 inches. From the edition of 650, the art is numbered 243/300 and ...
Category
20th Century Art Deco Figurative Prints
Materials
Paper, Screen
FIVE ARCHES I
Located in Aventura, FL
Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured.
A...
Category
1980s Art Deco Figurative Prints
Materials
Screen, Paper
The Bathers, Wood-Engraving Drawing Lithograph by John Buckland-Wright
Located in Atlanta, GA
This elegant wood-engraving charcoal drawing lithograph print was designed by John Buckland-Wright (1897-1954). The piece is signed, dated, titled, and numbered in pencil on the marg...
Category
1930s Art Deco Figurative Prints
Materials
Ink, Paper
Original Vini di Lusso Italian wine vintage poster 1922
By Plinio Codognato 1
Located in Spokane, WA
Original, Italian, Vini di Lusso lithograph vintage poster for fine wines. The Italian Society for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group ...
Category
1920s Art Deco Figurative Prints
Materials
Lithograph
HER NEW BLUE COAT Signed Lithograph, Art Deco Style Fashion Portrait, Tweed Suit
By Robin Morris
Located in Union City, NJ
HER NEW BLUE COAT by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ...
Category
1980s Art Deco Figurative Prints
Materials
Lithograph
Deutsche Werkbund-Ausstellung (German Workers Union Exhibition Art)
Located in London, GB
Peter Behrens, (German 1868-1940), Deutsche Werkbund-Ausstellung, 1914, Deutsche Werkbund-Ausstellung, Kunst in Handwerk, Industrie und Handel Archit...
Category
1910s Art Deco Figurative Prints
Materials
Paper, Lithograph
Erte " Eve"
Located in Los Angeles, CA
Romain de Tirtoff known as ERTE (1892-1990)
"Eve"
Gouache decor project on paper
Sheet Size : 14.6"H x 10.6"W (37 x 27 cm)
Framed Size : 26"H X 22"W
On the back, countersigned, num...
Category
Early 20th Century Art Deco Figurative Prints
Materials
Gouache
Original 'Pas de Bon Cafe sans Composition des Moines" vintage coffee poster
By Rene Vincent
Located in Spokane, WA
Original COMPOSITION DES MOINES. Smaller format antique poster created by the artist Rene Vincent, This lithograph was created c. 1925. Fine/ Mint condition. Professional aci...
Category
1920s Art Deco Figurative Prints
Materials
Lithograph
Florida (Pearl Dress)
Located in Greenwich, CT
Florida (Pearl Dress) is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 33 x 25.5 inches. From the edition of 686, the art is numbered 212/300 and signed 'Erté' lower right (there were also 300 Roman, 65 AP, 1 PP and 20 HC). framed in an elegant gold-tone moulding.
Originally a costume design for the American Millionairess Revue at the Théâtre Fémina in Paris in 1917, Florida (Pearl Dress) stands as a testament to the genius and creativity of Erté. It was at the Théâtre Fémina that Erté worked closely with Gaby Deslys, the greatest French music-hall star of her day. It was Madame Rasimi – the theater’s founder – wo discovered the young Romain de Tirtoff (Erté) and employed his talents to her theater’s great benefit.
In Pearl Dress, the flowing gold train cascades from the gown to create a wonderful sense of style and grace. As the primary source of color in the design, the gold and pearls sit in contrast to the dynamic black background of the print, while the geometric pattern of rectangles and squares, all deeply embossed and metal-foiled, create the perception of depth and drama.
One of the earliest costume designs by Erté, Pearl Dress stood as a reflection of American culture – of riches and excess – while expressing Erté’s love...
Category
20th Century Art Deco Figurative Prints
Materials
Screen, Paper
Original Pierre Dieuzey and his six Captains Jazz New Orleans vintage poster
Located in Spokane, WA
Original Pierre Dieuzey et ses Capetiens, Jazz New Orleans vintage poster. Artist: Pierre Merlin. Lithograph, archival linen-backed vin...
Category
1950s Art Deco Figurative Prints
Materials
Lithograph
Original ceramic pendant " Vé et Astrology "
By Jean Cocteau
Located in CANNES, FR
Jean Cocteau ( 1889 - 1963 )
Vé and Astrology ceramic's pendant :
Vé : signed underneath White 1ere variant
( Terre blanche en relief ). page 212
Size: 7 x5.5 cm
catalogue rai...
Category
1950s Art Deco Figurative Prints
Materials
Ceramic
Ermine Brocade, 1987
By Erté
Located in Greenwich, CT
Ermine Brocade is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 27 x 25 inches. From the edition of 580, the art is numbered 24/300 a...
Category
20th Century Art Deco Figurative Prints
Materials
Screen, Paper
Statue of Liberty Suite: Day and Night
Located in Storrs, CT
Statue of Liberty (Day). 9886. Seriagraph with embossing and hand stamping. Image: 28 x 20. Series: Statue of Liberty Suite Edition 300, #248. A fine impression printed on the full s...
Category
Late 20th Century Art Deco Figurative Prints
Materials
Screen
Art Deco 1925 Signed Limited Edition Screen Print
Located in Rochester Hills, MI
Art Deco 1925
1980
Silkscreen
Paper size 33½" × 21"inches
Signed in pencil and marked 234/300
Michael Knigin was born in 1942 in Brooklyn, NY. He attended and graduated from Tyler S...
Category
1980s Art Deco Figurative Prints
Materials
Screen
Fedora Fur, 1990
Located in Greenwich, CT
Fedora Fur is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 34 x 26 inches. From the edition of 650, the art is numbered 98/300 and estate-stamped 'Erté' lower right (there were also 300 Roman, and 50 AP). Framed in an elegant, gold-tone moulding.
This image was inspired by a design that Erté created for Ganna Walska...
Category
20th Century Art Deco Figurative Prints
Materials
Screen, Paper
“Sylvia”
Located in Southampton, NY
Original fashion illustration for Tres Parisien, December, 1921
Moroccan Crepe Dress by Germaine-Paule Joumard, Fashion Art Deco Pochoir on Chinese Paper. Artwork size is 7.5 by 5 i...
Category
1920s Art Deco Figurative Prints
Materials
Archival Paper, Stencil
California (Turquoise Dress), 1989
Located in Greenwich, CT
California (Turquoise Dress) is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 33 x 25.5 inches. From the edition of 668, the art is n...
Category
20th Century Art Deco Figurative Prints
Materials
Screen, Paper
Original Cartier Joailliers Couple (Watches) vintage poster
Located in Spokane, WA
Original poster: Cartier Joailliers watch poster. Museum linen-backed poster. Fine condition; ready to frame. This art deco-style image shows the fashionable couple in their car with the man’s watch featured. The image is certainly reminiscent of Tamara Lempicka’s style but it was created by an anonymous artist.
The couple in the car driving and showing off his new Cartier watch...
Category
1980s Art Deco Figurative Prints
Materials
Lithograph
THE EXPEDITION Signed Lithograph, Group Portrait, African Safari Tropical Jungle
By Robin Morris
Located in Union City, NJ
THE EXPEDITION by the woman artist Robin Morris, is an original limited edition lithograph(not a photo reproduction or digital print) printed in 15 colors using hand lithography tech...
Category
1980s Art Deco Figurative Prints
Materials
Lithograph
Rose Gown
Located in Greenwich, CT
Rose Gown is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 30 x 23 inches. From the edition of 690, the art is numbered 294/300 and signed ...
Category
20th Century Art Deco Figurative Prints
Materials
Screen, Paper
Art Deco figurative prints for sale on 1stDibs.
Find a wide variety of authentic Art Deco figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Erté, Robin Morris, Walter Schnackenberg, and Giancarlo Impiglia. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Art Deco figurative prints, so small editions measuring 0.25 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $88 and tops out at $30,000, while the average work sells for $1,383.
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